Through her fashion ventures, Rihanna has become one of the wealthiest musicians; in 2021, she became the richest female musician at the time, with a net worth of $1.7 billion. Around the time of her second album A Girl Like Me (2006), critics often compared her style and sound to that of Beyoncé. She credits that song with sparking her passion for music and partly attributes her presence in the industry to Houston. She also mentioned that one of the earliest songs she developed an affection for was Houston’s rendition of «I Will Always Love You» (1992). As a child, she sang Whitney Houston songs and «A Whole New World» (1992) into her hairbrush so frequently that her neighbors started calling her «Robyn Redbreast». She deemed him one betista casino of her all-time favourite artists, crediting him with «paving the way for every other artist out of the Caribbean».
- Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues.
- With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s «The Monster.»
- Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department.
- At its heart, The Life of a Showgirl goes beyond the fame, accolades, praise, and anything else Swift has been awarded in her 20-year career.
- Debuting at No. 3 on the Billboard 200, the pop and R&B album produced her longest-charting No. 1 hit, “We Found Love” with Calvin Harris, which topped the song chart for a whopping 10 weeks straight.
- Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct «eras» between albums.
- But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion.
That year, fans also got their first glimpse of the pop superstar alongside Sandra Bullock, Cate Blanchett, and Anne Hathaway in trailers for Ocean’s 8, a female-led spinoff of the popular Ocean’s Trilogy which hit theaters in June 2018. It also spawned the popular radio hits “Needed Me” and “Love on the Brain.” At the 2014 Grammy Awards, Unapologetic won Best Urban Contemporary Album, marking the singer’s first win in an album category. In November 2012, Rihanna scored her first No. 1 album with Unapologetic. The pop star delivered her next effort, Talk That Talk, in November 2011. Rihanna returned back and better than ever in November 2010 with her fifth studio album, Loud.
Music of the Sun
A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles «Rude Boy», «Only Girl (In the World)», «What’s My Name?», «S&M», «We Found Love», «Diamonds», and «Work». The albums spawned the singles «Pon de Replay» and «SOS», which peaked at numbers two and one on the US Billboard Hot 100, respectively.
- In support of the album, Rihanna embarked on the Last Girl on Earth tour from 2010 to 2011.
- Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.
- Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry.
- The songstress herself shared a sweet note on Friday, Aug. 29, thanking her fans and those who «gave me a chance over the years.»
- And on The Tortured Poets Department’s «The Prophecy,» she pleaded for someone to change what she believed to be her predestined future of being alone and what she’d give up to find someone she loves.
Sister Nancy Talks «Bam Bam,» Why She Loves Jay-Z & Longevity In Reggae
She formed a girl group with two classmates; when they were 15 years old, they scored an audition with music producer Evan Rodgers, who was visiting the island with his Barbadian wife. She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty. For her work on the single, Rihanna received her first Academy Award nomination, for best original song. Rihanna began working on a new record, but the project was delayed as she took a break from music.
From becoming the first woman and only artist to win a GRAMMY for Album Of The Year four times, to dealing with heightened media scrutiny, to breaking records with her Eras Tour, no one understands the highs and lows of being a showgirl like Swift. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke, Gracie Abrams, and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. Other songs, including «Death By A Thousand Cuts» and «Cornelia Street,» are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. When Swift released the lead single «Look What You Made Me Do,» a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice.
Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
Eventually, her bold move to the United States at 16 years old marked the beginning of her journey to stardom, as she pursued her passion for singing and songwriting with determination. Despite these difficulties, Rihanna showcased resilience and creativity from a young age, channeling her personal experiences and pain into music. She is the eldest of three siblings, navigating a childhood fraught with challenges, including her father’s struggles with substance abuse and her parents’ tumultuous marriage, which ultimately ended in divorce when she was just 14. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in St. Michael Parish, Barbados, is a globally renowned pop star, singer, and fashion icon.
Eminem feat. Rihanna — «The Monster»
The singer/songwriter also picked up a Best Traditional Pop GRAMMY in 2024 for her second LP, an immaculate collection of jazz, pop and classical that bridged the gap between Gen-Z and the Great American Songbook. Still, as a love song dedicated to wife Amanda Shires — and the quiet acceptance that the Grim Reaper will inevitably end their story — it’s certainly no less emotional. Just four years after picking up five GRAMMY nominations for their transatlantic chart-topper «Love the Way You Lie,» unlikely dream team Eminem and Rihanna once again joined forces for another hip-pop masterclass. Traditional Appalachian folk song «O Death» had previously been recorded by the likes of gospel vocalist Bessie Jones, folklorist Mike Seeger and Californian rockers Camper Van Beethoven, just to name a few. The King of Pop picked up a whopping 11 nominations for his first blockbuster album, Thriller, and then converted seven of them into wins, including Album Of The Year. Considering how perfectly Mike Oldfield’s prog-rock epic Tubular Bells complements all-time classic horror flick The Exorcist, it’s remarkable to think that it was recorded before director William Friedkin came calling.
The dance-pop and R&B heavy record, which debuted at No. 2 on the Billboard 200 chart, featured several hit songs, including the singles “Don’t Stop the Music,” “Shut Up and Drive,” and “Hate That I Love You” with Ne-Yo. With its follow-up, «Our Song» — which spent six consecutive weeks on the top of Billboard’s Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. With the dance-pop set Loud (2010), she reflected on the fun she had while recording the album, incorporating ballads, party anthems, and empowering love songs.
More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like «Love Story» and «You Belong With Me,» yet still keeps the confessional attributes known in country songwriting. Even as a new country artist, critics claimed that she «mastered» the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. One writer in particular, Liz Rose, applauded Swift’s songwriting capabilities, stating that she was more of an «editor» for the songs because Swift already had such a distinct vision.
Want to know what everyone in the music business is talking about?
But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion. With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s «The Monster.» More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.
Midnights: Encapsulating Her Artistic Magic
In addition to her film roles, Rihanna made notable television appearances, including recurring parts in the psychological thriller series «Bates Motel» in 2017. This hit catapulted her to international fame, earning her first Grammy Award and redefined her image as a confident and edgy artist. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in Barbados, swiftly ascended to global stardom after signing with Def Jam Records at just 16.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. «Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,» she pleads in the seven-minute two-parter. Her swagger is boisterous in «Phresh Out the Runway,» «Jump,» and strip club anthem «Pour It Up,» but «Nobody’s Business» really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la «Stay.» Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, «Diamonds» emerged as a self-love mantra due to its uplifting «Shine bright like a diamond» chant. Its lead single «Diamonds» resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
In 2014, Shakira featured Rihanna on her single «Can’t Remember to Forget You». In December 2013, she topped both the Billboard Hot 100 and UK Singles Chart with a feature on Eminem’s song «The Monster». Rihanna made a cameo in the comedy film This Is the End (2013), and later collaborated with rapper Wale on his remix of the single «Bad». To promote the album, Rihanna embarked on the 777 Tour, performing seven shows in seven countries over the course of seven days. In September 2012, the music video for «We Found Love» won Video of the Year at the MTV Video Music Awards, making Rihanna the first woman to receive the honour more than once. In March, Rihanna and Brown released two remixes—her track «Birthday Cake» and his «Turn Up the Music»—which were criticized due to their history of domestic violence.
And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, «New Heights.» To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan («Peter»), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life («But Daddy I Love Him»), says goodbye to a city that gave her a home («So Long London»), and muses on how her own celebrity has stunted her growth («Who’s Afraid Of Little Old Me?»). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.
No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate «Princess of China» number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.
«And, baby, that’s show business for you,» Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.
This initial success paved the way for her subsequent albums and chart-topping singles, solidifying her status as a pop powerhouse. Just months later, Rihanna released her first single, «Pon de Replay,» which quickly climbed the charts and established her as a formidable newcomer in pop music. The pop star has an impressive 64 songs on the Billboard Hot 100 chart, including 14 No. 1 hits and 32 tracks in the top 10.
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in «betty» and «august,» as well as Rebekah Harkness from «the last great american dynasty» (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, «Daylight,» which sees her describe her love as «golden» rather than «burning red.»
Lead single «We Found Love» is undeniably the biggest hit to stem from the Talk That Talk era, spending 10 consecutive weeks atop the Hot 100. Her longing continues in «Where Have You Been,» which flaunts Rihanna’s versatility, flipping Geoff Mack’s 1959 country song «I’ve Been Everywhere» into an infectious EDM banger. It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.